Getting reaquainted
I've been having some issues with the plot of my WIP - working title Black Diamond - recently. Even given that it's been too hot to really think, and I know I'm more of a pantser than a planner, all the threads just weren't coming together.
I blogged about it on the Word Cloud, and received some really helpful suggestions. (You can read about them here, in Plotting Panic)
As you'll see if you read the blog, I finally recognised that I'd had a similar problem before; I caught myself writing 'I know what happens...I know what my characters will do.' The important bit there is 'I' knew. I wasn't giving my characters enough room to breathe and do their own thing, tell their own story. I was trying to force my version of the story upon them.
Once I'd realised that, I apologized to my MC, Tilda, and decided to reaquaint myself with her by doing something really simple.
I read the book I'd already written about her.
Now, Mage of Merjan isn't polished. In fact, I saw lots of things that still need to be addressed before it's published. But I forced myself to read it without a pen in my hand - vital to do, I've found, if you want to read as a reader rather than as a writer. It's all too easy to take your focus from the story to how you've used the words that tell it, if you see what I mean?
Anyway. I re-read Tilda's first adventure. And it was like connecting with an old friend. I reminded myself of her courage, of her questioning mind, of how in all things she is seeking to be and do the best she can, while learning about the Power that her homeland relies on.
I picked up Black Diamond and re-read what I'd written so far. I added comments in capitals in places where I knew I'd have to address issues Tilda's way - not mine - and then I carried on writing from where I'd left off.
Yesterday, I added another 5000 words, and revealed a major plot point - all because I allowed Tilda to tell it from her point of view.
So. If you're stuck in your writing, whether it's a series or a standalone, perhaps you need to ask yourself if you're forgetting whose story it really is...
I blogged about it on the Word Cloud, and received some really helpful suggestions. (You can read about them here, in Plotting Panic)
As you'll see if you read the blog, I finally recognised that I'd had a similar problem before; I caught myself writing 'I know what happens...I know what my characters will do.' The important bit there is 'I' knew. I wasn't giving my characters enough room to breathe and do their own thing, tell their own story. I was trying to force my version of the story upon them.
Once I'd realised that, I apologized to my MC, Tilda, and decided to reaquaint myself with her by doing something really simple.
I read the book I'd already written about her.
Now, Mage of Merjan isn't polished. In fact, I saw lots of things that still need to be addressed before it's published. But I forced myself to read it without a pen in my hand - vital to do, I've found, if you want to read as a reader rather than as a writer. It's all too easy to take your focus from the story to how you've used the words that tell it, if you see what I mean?
Anyway. I re-read Tilda's first adventure. And it was like connecting with an old friend. I reminded myself of her courage, of her questioning mind, of how in all things she is seeking to be and do the best she can, while learning about the Power that her homeland relies on.
I picked up Black Diamond and re-read what I'd written so far. I added comments in capitals in places where I knew I'd have to address issues Tilda's way - not mine - and then I carried on writing from where I'd left off.
Yesterday, I added another 5000 words, and revealed a major plot point - all because I allowed Tilda to tell it from her point of view.
So. If you're stuck in your writing, whether it's a series or a standalone, perhaps you need to ask yourself if you're forgetting whose story it really is...